Mirrors do more than show a face; they frame a moment. When I paint a mirror frame, I want color that flatters the wall, the light, and the person standing there. I test colors in morning and evening because glass reflects everything around it. I also match metals in the room so the look feels linked, not random.
A few smart shades can make an entry kinder, a bath feel fresh, and a bedroom nook feel special.
Here are the colors I reach for again and again. I also think about the size and shape of the frame. A thin frame likes a crisp color that reads clear; a wide frame can hold a rich, deeper tone. I pick satin or semi-gloss so the frame wipes clean without glare.
I tape the glass, score the edge for a sharp line, and test a small spot first.
I check the color next to faucets, pulls, and light bulbs, because those change how it looks. If the color still feels right in the morning and at night, it earns a place on my list.
I trust the coverage, the steady undertones, and the way samples match the final result. I like how the sheens hold up on wood and metal, and how touch-ups blend in. I can get small sample pots fast, which helps me test on real frames. I often use Benjamin Moore too, since some clients already love those classics.
My kit carries both, but Sherwin-Williams is the line I grab first. It’s the rhythm I know, and it keeps my work clean and reliable.
I also like the wide store network and quick color matching when I’m fixing an old frame. I can grab primer, wood filler, and the right brush in one stop, which saves time on job days. I trust the low-odor options for projects inside small rooms, so clients can use the room sooner.
I get steady results on wood, MDF, and even metal after the right primer, so I don’t worry about peel or chips. When a project runs long, I know I can buy the same batch again and the shade will still line up. That kind of consistency keeps my work on schedule and my clients happy.
I start with the wall color and te nearest light source. I look at faucets, pulls, and lamps to decide if the frame should lean warm or cool. I pick satin or semi-gloss so the frame wipes clean without glare. I prime for the material—wood, MDF, or metal—so the finish stays smooth.
I hold sample sticks right on the edge of the glass and take quick photos at three times of day.
I choose the color that flatters the face and still looks right from across the room.
. I swap bulbs between warm and daylight to see how skin reads in the mirror. I tape the glass, score the tape with a craft knife for a sharp line, and sand lightly between coats. I use bonding primer on metal and stain-blocking primer on knotty wood. I pick bolder colors for small frames and steady neutrals for very wide ones.
I wait 24–48 hours before hanging and a full week before cleaning so the paint cures. I add felt pads on the back so the frame sits even and doesn’t mark the wall, and I label the color and sheen for easy touch-ups later.
Alabaster SW 7008 gives a soft warm white I use when I want the mirror to feel clean yet friendly. Alabaster SW 7008 pairs well with brass taps and warm bulbs, so faces look healthy in the glass. Alabaster SW 7008 loves creamy walls and tan tile, keeping the frame light without a harsh edge. Alabaster SW 7008 works in rentals and family baths because touch-ups blend easily. Alabaster SW 7008 shines in satin, which keeps marks low and light bounce gentle.
Alabaster SW 7008 is my pick when a room needs bright energy without the chill of stark white.
🎨 See the full guide to this color right HERE 👈
Tricorn Black SW 6258 gives a deep true black that makes a simple frame look tailored. Tricorn Black SW 6258 outlines the glass like eyeliner, which helps faces stand out nicely. Tricorn Black SW 6258 pairs with chrome, nickel, or black fixtures for a modern, crisp look. Tricorn Black SW 6258 needs careful sanding and a good bonding primer for a sleek finish. Tricorn Black SW 6258 looks best in semi-gloss to resist splashes and handprints. Tricorn Black SW 6258 is my move when tile is busy and the frame needs to be calm and strong.
Tricorn Black SW 6258 also works well in entry halls where a sharp edge adds polish. Tricorn Black SW 6258 gives even a budget mirror a chic, custom look.
🎨 See the full guide to this color right HERE 👈
Iron Ore SW 7069 brings a near-black charcoal that feels rich without going full black. Iron Ore SW 7069 softens bold tile patterns while still giving sharp edge control. Iron Ore SW 7069 pairs with warm brass or aged bronze when I want a cozy, grounded feel. Iron Ore SW 7069 hides dust better than pure black, which helps in busy baths. Iron Ore SW 7069 takes satin well, showing less lint and fewer streaks. Iron Ore SW 7069 is perfect when I need depth with a gentler touch.
Iron Ore SW 7069 also pairs beautifully with linen towels and stone floors. Iron Ore SW 7069 feels steady in both daylight and soft lamplight.
🎨 See the full guide to this color right HERE 👈
Urbane Bronze SW 7048 adds a deep bronze-brown that plays well with wood and stone. Urbane Bronze SW 7048 warms cool grays and gives balance to bright white walls. Urbane Bronze SW 7048 pairs with leather trays and woven bins for a textured, lived-in vibe. Urbane Bronze SW 7048 looks handsome on wide frames that need quiet strength. Urbane Bronze SW 7048 prefers satin to show its soft metallic hint without glare. Urbane Bronze SW 7048 is my go-to when I want depth that still feels welcoming.
Urbane Bronze SW 7048 shines in dressing rooms where mirrors double as decor. Urbane Bronze SW 7048 turns a plain frame into a statement piece with quiet strength.
🎨 See the full guide to this color right HERE 👈
Pure White SW 7005 offers a bright, fresh white that stays friendly next to mirrors. Pure White SW 7005 reflects light cleanly, which helps small powder rooms feel open. Pure White SW 7005 pairs with cool metals and crisp tile for a tidy hotel-style look. Pure White SW 7005 needs careful prep so seams and corners stay sharp. Pure White SW 7005 looks best in satin to avoid shine lines around the glass. Pure White SW 7005 is the clean slate I use for rentals, flips, and first homes.
Pure White SW 7005 also pairs easily with colorful towels or bold wallpaper. Pure White SW 7005 keeps the focus on the mirror itself, letting the rest of the room breathe.
🎨 See the full guide to this color right HERE 👈
Greek Villa SW 7551 brings a warm ivory that flatters skin tones in morning light. Greek Villa SW 7551 pairs with brass, cane, and oak, giving a sunny cottage note. Greek Villa SW 7551 sits nicely against beige, cream, or pale clay walls. Greek Villa SW 7551 handles satin or semi-gloss; I choose satin for wood and semi-gloss for MDF. Greek Villa SW 7551 hides dust better than crisp whites, which helps in busy entries. Greek Villa SW 7551 is the warm white I reach for when I want soft light without yellow cast.
Greek Villa SW 7551 keeps bedrooms and vanities feeling sunny and fresh. Greek Villa SW 7551 adds a hint of charm without stealing attention.
🎨 See the full guide to this color right HERE 👈
Naval SW 6244 brings a deep navy that frames the mirror like a classic blazer. Naval SW 6244 flatters chrome and polished nickel, adding cool balance to white walls. Naval SW 6244 looks rich in candlelight and clear under bright bulbs, which is rare. Naval SW 6244 needs two thin coats over a tinted primer for a smooth finish. Naval SW 6244 sings in semi-gloss on flat frames and in satin on carved ones. Naval SW 6244 is my pick when a room needs color that feels confident and neat.
Naval SW 6244 works well in coastal homes where blues tie to the sea. Naval SW 6244 gives a mirror the feeling of a framed painting.
🎨 See the full guide to this color right HERE 👈
Peppercorn SW 7674 lands in that dark gray sweet spot that calms busy patterns. Peppercorn SW 7674 pairs with black or nickel hardware when I want a strong, steady line. Peppercorn SW 7674 helps cool walls read more even and helps warm walls feel grounded. Peppercorn SW 7674 covers fast over gray primer and keeps edges tidy. Peppercorn SW 7674 holds up in satin, hiding tiny lint better than glossier coats. Peppercorn SW 7674 is the shade I use when black is too stark but brown feels wrong.
Peppercorn SW 7674 keeps large bathroom mirrors from feeling flat. Peppercorn SW 7674 adds depth without darkening the room too much.
🎨 See the full guide to this color right HERE 👈
Salty Dog SW 9177 gives a lively blue that wakes up a simple vanity area. Salty Dog SW 9177 pairs with white shiplap, rattan baskets, and bright silver taps. Salty Dog SW 9177 loves coastal prints and striped towels without getting loud. Salty Dog SW 9177 needs patient brushing along the glass line to keep the edge crisp. Salty Dog SW 9177 works in satin for fewer marks from damp hands. Salty Dog SW 9177 is my happy accent when the room needs a smile.
Salty Dog SW 9177 shines in kids’ baths and beach houses alike. Salty Dog SW 9177 makes even a plain frame look playful and alive.
🎨 See the full guide to this color right HERE 👈
White Dove OC-17 offers a creamy off-white that feels gentle around the face. White Dove OC-17 pairs with aged brass and warm bulbs for a flattering glow. White Dove OC-17 sits nicely with greige or soft beige walls, keeping the frame quiet. White Dove OC-17 covers well over white primer and cleans up with mild soap. White Dove OC-17 looks best in satin so the frame reads soft, not shiny. White Dove OC-17 is my easy yes for bedrooms and dressing mirrors.
White Dove OC-17 softens reflections for a flattering, natural glow. White Dove OC-17 brings gentle warmth that feels inviting day and night.
🎨 See the full guide to this color right HERE 👈
Chantilly Lace OC-65 brings a bright, crisp white that looks gallery-clean. Chantilly Lace OC-65 loves cool LEDs and nickel hardware for a fresh, modern line. Chantilly Lace OC-65 works best against true white or pale gray walls for a seamless look. Chantilly Lace OC-65 wants careful sanding so the edge near the glass is razor neat. Chantilly Lace OC-65 holds up in semi-gloss where splashes are common.
Chantilly Lace OC-65 is my choice when clients want bright and sharp without fuss. Chantilly Lace OC-65 pairs with glossy tiles for a gallery-style vibe. Chantilly Lace OC-65 highlights the glass edge in the cleanest way possible.
🎨 See the full guide to this color right HERE 👈
Simply White OC-117 gives a warm white that flatters skin and soft fabrics. Simply White OC-117 pairs with oak, linen, and woven shades for a friendly mood. Simply White OC-117 bridges cool tile and warm counters, keeping the mix balanced. Simply White OC-117 covers fast and forgives small brush marks at corners.
Simply White OC-117 works in satin for wood frames that need easy cleaning. Simply White OC-117 is my gentle white when I want warmth without creaminess.
🎨 See the full guide to this color right HERE 👈
Hale Navy HC-154 delivers a rich navy that reads steady in any light. Hale Navy HC-154 pairs with brass pulls and marble tops for a classic, polished feel. Hale Navy HC-154 defines the mirror edge so faces pop without harsh contrast. Hale Navy HC-154 likes a gray-tinted primer to avoid extra coats. Hale Navy HC-154 holds beautifully in semi-gloss where water spots happen. Hale Navy HC-154 is my bold but grown-up blue for entries and main baths.
Hale Navy HC-154 pairs perfectly with brushed gold pulls for a rich contrast. Hale Navy HC-154 makes a mirror feel like a focal point without shouting.
🎨 See the full guide to this color right HERE 👈
Kendall Charcoal HC-166 gives a deep earthy gray that tames busy wall tile. Kendall Charcoal HC-166 pairs with oil-rubbed bronze and walnut for a warm, grounded look. Kendall Charcoal HC-166 sits well next to greige or stone walls without stealing the show. Kendall Charcoal HC-166 needs even strokes and a foam roller for a smooth edge. Kendall Charcoal HC-166 prefers satin on carved frames to keep details clean. Kendall Charcoal HC-166 is my steady hand when I want dark, not black.
Kendall Charcoal HC-166 adds handsome depth to wood or metal frames. Kendall Charcoal HC-166 is strong yet balanced, suiting both rustic and modern rooms.
🎨 See the full guide to this color right HERE 👈
Wrought Iron 2124-10 reads like a soft black with a graphite kiss. Wrought Iron 2124-10 pairs with nickel or pewter for a cool, tailored frame. Wrought Iron 2124-10 handles high contrast rooms where white walls meet dark floors. Wrought Iron 2124-10 covers well over dark primer and hides small dings. Wrought Iron 2124-10 likes semi-gloss in splash zones and satin in bedrooms. Wrought Iron 2124-10 is my favorite when I want drama with a little softness.
Wrought Iron 2124-10 holds up beautifully in hallways with shifting light. Wrought Iron 2124-10 gives mirrors a refined edge that feels classic.
🎨 See the full guide to this color right HERE 👈
Onyx 2133-10 is a deep black that looks luxe around beveled glass. Onyx 2133-10 pairs with crystal knobs and chrome lights for a sleek, dressy note. Onyx 2133-10 sharpens the edge of the mirror so the room reads crisp. Onyx 2133-10 needs a bonding primer and thin coats for that piano-like finish. Onyx 2133-10 cleans easily, which helps in guest baths and busy halls. Onyx 2133-10 is my pick when the frame should feel like a fine picture border.
Onyx 2133-10 makes even a thrifted mirror look custom-made. Onyx 2133-10 sets a dramatic stage for both modern and traditional spaces.
Boothbay Gray HC-165 brings a breezy gray-blue that freshens tired vanities. Boothbay Gray HC-165 pairs with white beadboard and polished nickel for a clean cottage look. Boothbay Gray HC-165 softens yellow light so faces look more even. Boothbay Gray HC-165 takes satin well and hides small brush tracks. Boothbay Gray HC-165 works with blue towels and pale stone without clashing. Boothbay Gray HC-165 is my light color move when I want cool and friendly at once.
Boothbay Gray HC-165 pairs beautifully with woven baskets and linen curtains. Boothbay Gray HC-165 feels breezy, perfect for airy rooms.
🎨 See the full guide to this color rightHERE 👈
Revere Pewter HC-172 offers a warm greige that blends with many wall colors. Revere Pewter HC-172 pairs with black, brass, or nickel, which makes mixing easy. Revere Pewter HC-172 flatters tan tile and gray counters, tying them together. Revere Pewter HC-172 covers fast over beige primer and keeps edges smooth. Revere Pewter HC-172 looks best in satin near sinks and in semi-gloss for kids’ baths. Revere Pewter HC-172 is my quiet fix when a room has many finishes fighting for attention.
Revere Pewter HC-172 smooths over mixed styles, keeping everything steady. Revere Pewter HC-172 makes the mirror frame feel thoughtful without fuss.
🎨 See the full guide to this color right HERE 👈
I always test on the actual frame, right next to the glass, and I look at it three times a day. I match metals, wall color, and bulb type before I decide on sheen. I keep coats thin, let them cure, and add soft pads on the back so the frame hangs level. I pick colors that flatter skin and work with the room, not just in a photo. I trust a short list that never lets me down, and I build from there. If the mirror makes you smile every time you pass it, we picked the right color.
I also sand lightly between coats and wipe away dust so the finish stays smooth. I press painter’s tape tight to the glass and score the edge with a craft knife for a sharp line.
I wait a full day or two before hanging, and a week before any cleaning, so the paint cures well. I use a water-based clear topcoat in bathrooms to handle steam and splashes.
I label the color and sheen on the back of the frame and save a tiny touch-up jar for later nicks. I check the hang height, center it to the sink or console, and make sure the light above doesn’t cast harsh shadows on faces.
Black
Blue
Brown
Gray
Green
Neutral
Orange
White
Yellow